La Danza 2.0. Paesaggi coreografici del nuovo millennio (Dance 2.0. Choreographic Landscapes of the New Millennium) is the—deceivingly— simple title of Alessandro Pontremoli’s new book on contemporary dance, presented in the context of the Torino Danza Festival on September 29, 2018. Pontremoli, associate professor of performing art disciplines at the University of Turin, member of the advisory committee of Dance Ministry of Heritage and Culture, and former president of the Italian Association for Research on Dance (AIRDanza, 2004–2010), has published extensively on dance history and theories. If with La Danza: Storia, Teorie, Estetica nel 900 (Dance: History, Theories and Aesthetics in the 20 Century) he took us to the threshold of the millennium, with La Danza 2.0 the Italian scholar takes the leap into the contemporary and embarks on the challenging and valuable task of offering an overview of the Italian and international dance landscape of the last thirty years, approached through a range of theoretical lenses, such as phenomenology, perception theories, dance and theater studies, and cultural studies. The ease and aptness with which the author summons the thought of different philosophers—among whom stand out Giorgio Agamben, Paul Ricoueur, Jean-Luc Nancy, Nicolas Borriaud, and the architect Gilles Cl ement—make for a book whose richness in philosophical and theoretical anchors addresses diverse interests and audiences, thus reminding one of Laurence Louppe’s essential text Poetics of Contemporary Dance (1997). Pontremoli engages in a timely exploration of contemporary dance and its modes of producing, disseminating and receiving new knowledge, new bodies, and new modus vivendi. He intertwines theory and practice throughout, reflecting on the questions and propositions raised by dance “as an emerging field of knowledge” and drawing on concrete examples taken from Italian and international contemporary dance companies.

中文翻译：

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意大利对当代舞蹈的看法

拉丹沙 2.0。Paesaggi coreografici del nuovo millennio（Dance 2.0. Choreographic Landscapes of the New Millennium）是亚历山德罗·蓬特雷莫利（Alessandro Pontremoli）关于当代舞蹈的新书的简单标题——看似简单，于 2018 年 9 月 29 日在都灵丹扎节的背景下呈现。蓬特雷莫利，助理都灵大学表演艺术学科教授，舞蹈遗产和文化部咨询委员会成员，意大利舞蹈研究协会（AIRDanza，2004-2010）前主席，发表了大量关于舞蹈史和理论。If with La Danza: Storia, Teorie, Estetica nel 900 (Dance: History, Theories and Aesthetics in the 20 Century) 他用 La Danza 2 将我们带到了千禧年的门槛。0 这位意大利学者跨入当代，开始了一项具有挑战性且有价值的任务，通过一系列理论视角，如现象学、感知理论、舞蹈和戏剧研究，以及文化研究。作者以轻松和恰当的方式唤起了不同哲学家的思想——其中突出的是乔治·阿甘本、保罗·里库尔、让-吕克·南希、尼古拉斯·博里奥德和建筑师吉尔斯·克莱门特——这本书在哲学和理论方面都很丰富主播解决了不同的兴趣和观众，从而提醒了劳伦斯·卢佩的重要文本之一当代舞蹈诗学（1997）。蓬特雷莫利及时探索当代舞蹈及其制作模式，传播和接收新知识、新机构和新的生存方式。他将理论与实践贯穿始终，反思舞蹈“作为一个新兴的知识领域”提出的问题和主张，并借鉴了意大利和国际当代舞蹈公司的具体例子。