Abstract In this article, I consider how ecosexuality as a contemporary, emergent critical framework prompts readings of Pina Bausch’s Rite of Spring that complement and trouble the centralization of normative gender relations and human exceptionalism. Working with the prominent choreographic features instantiated within the dance, I consider how categories such as female and male, nonhuman and human, are both constituted and destabilized. Drawing from queer, feminist, new materialist, and psychoanalytic theories, I suggest that Bausch’s Rite of Spring provides ways of thinking sexuality ecologically, oriented toward the intensification of life beyond the survival of the human.

中文翻译：

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物质、生命、性和死亡：生态性欲和皮娜·鲍什的春之祭

摘要 在本文中，我考虑了生态性恋作为一种当代的、新兴的批判框架如何促使人们阅读 Pina Bausch 的《春之祭》，该书补充并扰乱了规范性别关系和人类例外主义的集中化。通过在舞蹈中实例化的突出编舞特征，我考虑了女性和男性、非人类和人类等类别是如何构成和不稳定的。借鉴酷儿、女权主义、新唯物主义和精神分析理论，我认为鲍什的春之祭提供了从生态角度思考性的方式，面向超越人类生存的生活的强化。