Abstract As a professional Western contemporary dance choreographer and practice-based scholar whose research focuses on the expression of post-traumatic states, I have tracked the evolution of my own post-traumatic history’s impact on my choreographic work of the past decade and a half in the context of its reception by audiences, larger creative trends in the field, and my own understanding. This article outlines the methodology observed in what I have identified as the three phases of my post-traumatic choreographic course—narrative, somatic, and political—and each of these phases’ outcomes in regard to artistic practice and identity reframing.

中文翻译：

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西方当代音乐会舞蹈编排中的创伤后表达：基于实践的视角

摘要 作为一名专业的西方现代舞编舞家和实践型学者，研究重点是创伤后状态的表达，我追踪了我自己的创伤后历史的演变对我过去十五年的编舞工作的影响。观众接受的背景，该领域更大的创作趋势，以及我自己的理解。本文概述了我在创伤后编舞课程的三个阶段（叙事、躯体和政治）中观察到的方法论，以及这些阶段中每个阶段在艺术实践和身份重构方面的结果。