当前位置: X-MOL 学术Dance Chronicle › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
Aesthetic Form and the Political: Two Perspectives on Protest in the Choreography of William Forsythe and Kevin Iega Jeff
Dance Chronicle ( IF 0.1 ) Pub Date : 2020-05-03 , DOI: 10.1080/01472526.2020.1768756
Tanya Jayani Fernando

Abstract This essay examines two concert dance pieces on the Gulf Wars: Kevin Iega Jeff’s Church of Nations (1991) and William Forsythe’s Three Atmospheric Studies (2006). While both are works of protest, they draw from different aesthetic traditions: the Black aesthetic and postmodern aesthetic, respectively. In an effort to think through the relationship between aesthetic form and the political, the essay explores what is at stake in such a comparison. “Aesthetic Form and the Political” is the complementary essay to “The Ekphrastic Body: Wayne McGregor’s Woolf Works,” Dance Chronicle 42, no. 2 (2019): 143–69, https://doi.org/10.1080/01472526.2019.1625651.

中文翻译:

审美形式与政治:威廉·福赛思和凯文·伊加·杰夫编舞中抗议的两种视角

摘要 本文考察了关于海湾战争的两首音乐会舞蹈作品:凯文·伊加·杰夫的《国际教会》(1991 年)和威廉·福赛思的《三个大气研究》(2006 年)。虽然两者都是抗议作品,但它们都来自不同的美学传统:分别是黑人美学和后现代美学。为了思考美学形式与政治之间的关系,本文探讨了这种比较中的利害关系。“美学形式与政治”是“Ekphrastic 身体:韦恩·麦格雷戈的伍尔夫作品”的补充文章,舞蹈编年史第 42 期,第 2 期。2(2019):143-69,https://doi.org/10.1080/01472526.2019.1625651。
更新日期:2020-05-03
down
wechat
bug