Abstract Studies of Paleolithic art in Siberia have recently gained a new impetus from both the contemporary landscape of scholarly discussion in the field of Paleolithic archaeology and human evolution, and instrumental developments in research procedures and frameworks. In regard to mobile art, or portable art (carvings or sculptures made on organic and inorganic materials), research aimed at identifying local differences between Upper Paleolithic cultural groups, and tracking their prehistoric geographic ranges across Eurasia during the Late Pleistocene, is considered to be especially relevant. Here we present the results of a study of the Late Paleolithic assemblage of Ust-Kova, focusing on the different technologies involved in the production of mobile paleo-art in Siberia. The results indicate that a complex array of technological methods were used to manufacture personal ornaments and sculptures out of ivory. Furthermore, it reveals some of the technical connections between the paleoart objects and the stone tools used to manufacture them. Overall, the study presented here improves our understanding of the genesis and evolution of ancient technologies related to paleoart manufacture in Northern Eurasia.

中文翻译：

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Ust-Kova（西伯利亚东部）上古旧石器组合中的猛ivo象牙古动物：一种技术方法

西伯利亚的旧石器时代艺术的抽象研究最近从旧石器时代考古学和人类进化领域的学术讨论的当代风景以及研究程序和框架的工具发展中获得了新的动力。关于移动艺术或便携式艺术（用有机和无机材料制成的雕刻或雕塑），旨在识别上旧石器时代文化群体之间的局部差异并追踪其晚更新世期间整个欧亚大陆史前地理范围的研究是特别相关。在这里，我们介绍了Ust-Kova的旧石器时代晚期组合研究的结果，重点研究了西伯利亚移动古艺术生产涉及的不同技术。结果表明，使用了一系列复杂的技术方法来用象牙制作个人装饰品和雕塑。此外，它揭示了古艺术品与用于制造古玩的石材工具之间的某些技术联系。总的来说，这里提出的研究提高了我们对与北欧亚大陆古动物制造相关的古代技术的起源和演变的理解。