当前位置：
X-MOL 学术
›
Contemporary Theatre Review
›
论文详情
Our official English website, www.x-mol.net, welcomes your
feedback! (Note: you will need to create a separate account there.)
Editorial 30.3
Contemporary Theatre Review ( IF 0.3 ) Pub Date : 2020-07-02 , DOI: 10.1080/10486801.2020.1763674 Maria Delgado , Maggie B. Gale , Bryce Lease , Sarah Thomasson , Fiona Wilkie , Broderick Chow , Caridad Svich
Contemporary Theatre Review ( IF 0.3 ) Pub Date : 2020-07-02 , DOI: 10.1080/10486801.2020.1763674 Maria Delgado , Maggie B. Gale , Bryce Lease , Sarah Thomasson , Fiona Wilkie , Broderick Chow , Caridad Svich
When we first curated this issue of CTR, the world felt a different place. The title of David Calder’s article ‘Street Theatre in a State of Exception: Performing in Public after Bataclan’ has acqu...
中文翻译：
社论 30.3
当我们第一次策划本期 CTR 时，世界感觉不同。大卫·考尔德 (David Calder) 的文章《例外状态下的街头剧院：巴塔克兰之后的公共表演》(Street Theatre in a State of Exception:
更新日期：2020-07-02
中文翻译：
社论 30.3
当我们第一次策划本期 CTR 时，世界感觉不同。大卫·考尔德 (David Calder) 的文章《例外状态下的街头剧院：巴塔克兰之后的公共表演》(Street Theatre in a State of Exception:
京公网安备 11010802027423号