The influence of John Cage's music and ideas on Spanish experimental music is far-reaching and extends from the 1950s to the present day. In order to analyse this influence, we have divided it into three important periods. In the first one, which began during the Franco dictatorship, we find Juan Hidalgo and the Zaj group that he co-founded with Ramón Barce and Walter Marchetti, in 1964. The second period, from the last breaths of Francoism to the political transition toward democracy, was marked by the arrival of the Merce Cunningham Company with Cage in 1966, and by the Pamplona Encounters in 1972. Carles Santos and Llorenç Barber are prominent during this period. In the third one, with democracy restored, Cage's influence has been more diffuse and involves musicians bridging the gap between Santos and Barber's generation, and younger composers born in the 1970s and 1980s.

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约翰凯奇对西班牙实验音乐的影响

约翰凯奇的音乐和思想对西班牙实验音乐的影响是深远的，从 1950 年代一直延续到今天。为了分析这种影响，我们将其分为三个重要时期。第一个时期始于佛朗哥独裁统治期间，我们发现胡安·伊达尔戈 (Juan Hidalgo) 以及他于 1964 年与拉蒙·巴塞 (Ramón Barce) 和沃尔特·马尔凯蒂 (Walter Marchetti) 共同创立的扎伊集团。 1966 年 Merce Cunningham Company 和 Cage 的到来以及 1972 年的潘普洛纳邂逅，标志着民主的到来。Carles Santos 和 Llorenç Barber 在这一时期表现突出。在第三个中，随着民主的恢复，凯奇的影响力变得更加分散，并且涉及弥合桑托斯和巴伯一代之间差距的音乐家，