ABSTRACT This paper examines Bhai Vir Singh's novella, Sundri (1898) from the context of the Singh Sabha reform movement (1880–1920). Sundri, Vir Singh's fictional heroine, became an important and idealized site of female identity construction during this time. Bhai Vir Singh's Sundri will be juxtaposed with a pixelated version, a recent animated film by the same name. Similar to the novella, the animated Sundri too can be understood as a highly particularized, contemporary construct of Sikh women's identity, created, more than a century later, but similarly, during a period of intense scrutiny of Sikh women's religious identity.

中文翻译：

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Sundri，那时和现在

摘要本文从辛格·萨卜哈（Singh Sabha）改革运动（1880–1920年）的背景出发，研究了拜·维尔·辛格的中篇小说《 Sundri》（1898年）。维格·辛格（Vir Singh）的虚构女主角桑德里（Sundri）在此期间成为女性身份建构的重要且理想化的场所。Bhai Vir Singh的《 Sundri》将与像素化版本并列，这是一部同名的最新动画电影。与中篇小说相似，动画《仙鹤》也可以被理解为是一个高度特殊的当代锡克教徒女性身份的建构，它是在一个多世纪之后创造出来的，但与此类似，是在对锡克教徒女性宗教身份的严格审查期间。