ABSTRACT The imagery of violence, specifically to the face and head, is a recurring motif in Wopko Jensma's poetry. In this article I present a discussion of the poems in which he makes extensive use of such brutal imagery. I describe the development of his use of violence, from its figuration of an ambivalent political symbol to its signification of subjective fragmentation or loss. In doing so I focus on the function of grammatical voice, with its inherent demarcation of agency and subjectivity, as well as its relationship to the less specific meanings of voice in a literary context, in the poems. I argue for a structural connection between textual violence, the power dynamics coded into a text regarding grammatical voice, and its manifestation in the form of a poem's assumed or implied speaker.

中文翻译：

---

沃普科·詹斯马诗歌中的暴力与声音

摘要 暴力意象，特别是面部和头部，是沃普科·詹斯马诗歌中反复出现的主题。在这篇文章中，我将讨论他广泛使用这种残酷意象的诗歌。我描述了他对暴力使用的发展，从它对矛盾政治符号的塑造到它对主观分裂或损失的意义。在这样做时，我专注于语法声音的功能，它具有能动性和主观性的内在分界，以及它与诗歌中文学语境中不太具体的声音含义的关系。我主张在文本暴力、编码到文本中关于语法声音的权力动态及其以诗歌假定或暗示的说话者的形式表现之间存在结构性联系。