ABSTRACT Don Juanism is a type of consciousness, value system, and mode of behavior specific to amorous–erotic relationships. It reflects an overall image of Don Juan as presented in Molière’s famous comedy Dom Juan ou le Festin de Pierre and in many other works of art. This image is internally bifurcated and interpreted in various ways in cultural history. On the one hand, Don Juan is known as a gallant suitor, an affectionate philanderer, a virtuoso of pleasure, and a ladies’ man, thus justifying our perception of Don Juan in relation to the art of love. On the other hand, Don Juan is seen as a rake, a seducer, a destroyer of women’s hearts, and a disaster to husbands, in which case Don Juan symbolizes willfulness and profligacy. The two sides of the Don Juan image developed in two different symbolic contexts: the former in the amorous–erotic context and the latter in the moral–ethical context. The main feature of Don-Juanist’s amorous–erotic connotations is that they are actualized precisely in relation to courtly gallantry, a woman’s expectations of a knight, the romantic cavalier, the wonderful lover. Don Juanism does not, however, withstand scrutiny from the standpoint of philosophy and wisdom of love, where desire for integrity and perfection, generosity and devotion, are foregrounded in relationships. However, philosophy of love finds itself in a difficult situation when faced with Don Juanism: at least one of its sides is relevant to the understanding of love that is most popular among ordinary people, where love is a romantic–erotic experience that reflects sensual lust, and uniting in love is definitely understood in the sexual sense, as intercourse.

中文翻译：

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唐·胡安主义：价值取向，偏好，态度

摘要Don Juanism是一种意识，价值体系和特定于性爱-色情关系的行为方式。它反映了唐·胡安（Don Juan）的整体形象，在莫里哀（Molière）著名的喜剧电影《唐·胡安·欧·勒·费斯汀·德·皮埃尔（Dom Juan ou le Festin de Pierre）》和许多其他艺术品中都得到了体现。在文化历史中，此图像在内部被分叉并以各种方式被解释。一方面，唐·胡安（Don Juan）被誉为一位勇敢的追求者，一个深情的爱德华莱德人，享乐的演奏家和一个女士们的男人，因此证明了我们对唐·胡安（Don Juan）在爱情艺术方面的理解是有道理的。另一方面，唐Juan被看作是耙子，诱惑者，女人的心灵毁灭者，以及对丈夫的灾难，在这种情况下，唐will象征着任性和挥霍。Don Juan图像的两侧在两种不同的符号上下文中发展：前者在多情的情境中，后者在道德-伦理情境中。Don-Juanist的性欲和色情内涵的主要特征是，它们的实现与礼节性的豪礼，女人对骑士的期望，浪漫的骑士和奇妙的情人有关。然而，唐·胡安主义没有经受住从哲学和爱的智慧的角度进行审查的考量，在爱情和智慧中，对关系的展望是对正直，完美，慷慨和奉献的渴望。但是，爱情哲学在面对唐·胡安主义时会陷入困境：至少其中一方面与对普通人中最流行的爱情的理解有关，爱情是一种浪漫的色情体验，反映出肉欲的欲望，并且在性意义上绝对可以理解相爱，