The fact that modern artists are turning toward science and the latest technologies—robotics, information technology, biomedicine—forces us to reformulate our concept of art. One need only imagine a “semi-living” cybernetic organism or a neural culture in the halls of a museum or gallery to understand that the existing art infrastructure (storage, representation, etc.) is entirely unequipped for these kinds of works. All these nonhuman subjects interacting with one another give rise to a complex systemic whole, new spaces for the existence of art, where man is no longer assigned the most important role. Are there working concepts and formats of art that fall within the framework of these technological innovations? Can they help stimulate new, critical art research and interventions at the intersection of art, science, and technology?

中文翻译：

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可能的艺术

现代艺术家转向科学和最新技术（机器人技术，信息技术，生物医学）的事实迫使我们重新定义我们的艺术观念。只需想象一下博物馆或画廊大厅中的“半活泼”控制论生物或神经文化，便可以了解现有的艺术基础设施（存储，展示等）完全不具备这类作品的功能。所有这些非人类主体之间的相互作用产生了一个复杂的系统整体，为艺术的存在提供了新的空间，而人类不再被赋予最重要的作用。这些技术创新的框架中是否存在工作概念和艺术形式？他们能否在艺术，科学和技术的交汇点上激发新的，批判性的艺术研究和干预？