This article discusses the causes of Lev Shestov’s psychological and worldview crises that he experienced in 1895, forcing the thinker to abandon his idealist philosophy and to embark on a path of groundlessness and adogmatism. Furthermore, the author traces the stages of Shestov becoming a philosopher, beginning with his early works on Shakespeare and Vladimir Solovyov. According to Silver-Age polemicist, translator, and poet Varvara Malakhieva-Mirovich, Shestov’s philosophy of tragedy was born of the thinker’s own personal drama. The encounters between Malakhieva-Mirovich and Shestov left a noticeable trace in Malakhieva-Mirovich’s worldview and work: she assimilated Shestov’s ideas about “creativity from nothing,” “the seventh day of creation,” and hopelessness as a source of hope.

中文翻译：

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哲学家的“被诅咒的机会”：列夫·谢斯托夫和瓦尔瓦拉·马拉希耶娃·米罗维奇

本文讨论了列夫·舍斯托夫（Lev Shestov）1895年经历的心理和世界观危机的成因，迫使思想家放弃他的唯心主义哲学，走上了毫无根据和专制主义的道路。此外，作者追溯了舍斯托夫成为哲学家的阶段，从他在莎士比亚和弗拉基米尔·索洛维约夫的早期著作开始。根据银时代的辩论家，翻译家和诗人瓦尔瓦拉·马拉希瓦（Varvara Malakhieva-Mirovich）的说法，舍斯托夫的悲剧哲学源于该思想家的个人戏剧。马拉基耶娃·米罗维奇和谢斯托夫之间的相遇在马拉赫耶娃·米罗维奇的世界观和工作中留下了明显的痕迹：她吸收了舍斯托夫关于“虚无创造力”，“创造的第七天”和绝望的想法，将其作为希望的来源。