The text focuses on the stiob (the Russian word for a particular form of parody) and subversive aesthetic praxis of the Second Russian Avant-Garde. In particular, Ioffe analyzes Michail Grobman’s oeuvre from the perspective of various irreverent techniques associated with the political left and the cynic tradition, drawing a conceptual parallel between the avant-garde’s life-creational outrage and Surrealist patterns of discursive terror. Ioffe reflects on the synthetic nature of the avant-garde, which puts equal emphasis on visual and verbal arts. His analysis explores the radical artistic gesture that represents one of the unique contributions of this cultural paradigm.

中文翻译：

---

第二届俄罗斯先锋派的革命美学

本书重点介绍了第二俄国先锋派的stiob（俄语为一种特殊形式的模仿）和颠覆性的美学手法。特别是，艾菲（Ioffe）从与政治左派和愤世嫉俗传统相关的各种无礼技巧的角度分析了米歇尔·格罗布曼（Michail Grobman）的作品，在先锋派的生活创造愤怒与话语恐怖的超现实主义模式之间绘制了概念上的相似之处。艾菲（Ioffe）反映了前卫的合成本质，它把视觉艺术和言语艺术并重。他的分析探索了激进的艺术姿态，它代表了这种文化范式的独特贡献之一。