ABSTRACT In his works Chora [Derrida, Jacques. 1993. Khôra. Paris: Galilée] and “Comment ne pas parler? Denegations” Derrida used the metaphor chora from Plato’s Timaeus (49a and following) to continue his struggle with the metaphysics of presence. In 1926 Nishida, the founder of the Japanese Kyōto School, used the same metaphor to create a new foundation of philosophy. Nishitani, a disciple of Nishida, developed the work of Nishida in close connection to Zen Buddhist experiences. Derrida tries to show the limits of language within the game of language, whereas Nishitani starts from an experience beyond language, but tries to make it clear in the game of language. Derrida tries to destroy the limits of Western thinking within the dimension of language, whereas Nishitani tries to open up the Zen Buddhist tradition for philosophy. Both try to open up a new dimension of thinking which is not bound to substantialized truth.

中文翻译：

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地点：德里达和西谷

摘要在他的作品乔拉 [德里达，雅克。1993. 科拉。巴黎：加利利]和“评论 ne pas parler？否定”德里达使用柏拉图的《蒂迈欧》（49a 及以下）中的隐喻合唱继续他与在场形而上学的斗争。1926年，日本京都学派的创始人西田用同样的比喻创造了新的哲学基础。西田的弟子西谷与禅宗的经历密切相关，发展了西田的作品。德里达试图在语言游戏中展示语言的局限性，而西谷则从超越语言的体验出发，但试图在语言游戏中将其弄清楚。德里达试图在语言维度上打破西方思维的局限，而西谷则试图为哲学打开禅宗传统。