Abstract From wife murder to cloak-and-dagger plays, female bodies, minds, and financial status are, for the most part, disempowered and abused by male protagonists with societal compliance. Since the 2000s, coinciding with the approval of the Ley Integral contra la Violencia de Género (2004), a wave of stage adaptations emerged in Spain that questioned the marginalization of women characters in the comedia. I claim that this trend in performance has become a sociocultural phenomenon that uses the symbolic capital of the comedia to raise awareness of women’s misrepresentation and gender violence and inequality.

中文翻译：

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占据中心舞台：当代舞台上早期现代女性的悲剧

摘要 从妻子谋杀到斗篷和匕首剧，女性的身体、思想和经济状况在很大程度上被社会顺从的男性主角剥夺和滥用。自 2000 年代以来，恰逢 Ley Integral contra la Violencia de Género (2004) 获得批准，西班牙出现了一波舞台改编浪潮，质疑喜剧中女性角色的边缘化。我声称，这种表演趋势已经成为一种社会文化现象，它利用喜剧的象征资本来提高对女性歪曲、性别暴力和不平等的认识。