Abstract This article examines the relationship between textualized bodies and the early modern Spanish literary field in three of Cervantes’s Novelas ejemplares: La gitanilla, El licenciado vidriera, and the intertwined El casamiento engañoso/El coloquio de los perros. Each novel portrays initially marginalized characters whose textualized bodies are connected to their ultimate achievement of renown for their remarkable talents. Cervantes, moreover, links these tales to each other through the presence of the three licenciates in the collection, each of whom represents a distinct role in the literary field. The names of the three licenciates—Pozo, Rueda, and Peralta—reflect the prophecy at the center of El coloquio de los perros, which in turn represents the tension experienced by the dominant yet dominated author in pursuit of distinction.

中文翻译：

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塞万提斯三部典范小说中的文本、身体和早期现代西班牙文学领域

摘要 本文考察了塞万提斯的三部小说中的文本化身体与早期现代西班牙文学领域之间的关系：La gitanilla、El licenciado vidriera 和交织在一起的 El casamiento engañoso/El coloquio de los perros。每部小说都描绘了最初被边缘化的人物，这些人物的文字化身体与他们因其非凡才能而获得的最终成就有关。此外，塞万提斯通过收藏中的三位授权人将这些故事相互联系起来，他们每个人都代表了文学领域中的独特角色。三位特许人的名字——Pozo、Rueda 和 Peralta——反映了 El coloquio de los perros 中心的预言，这反过来又代表了占主导地位但占主导地位的作家在追求差异时所经历的紧张局势。