Abstract This essay considers the internal chronology of the myth exemplum in Garcilaso de la Vega’s “Ode ad florem Gnidi.” A close reading suggests that the exemplum, an imitation of Ovid’s myth of Anaxarete and Iphis, narrates two discontinuous scenes, of Anaxarete’s pity at the sight of the body of Iphis hanging from her doorway, followed by her petrification on seeing his body carried in funeral procession. To support this reading, the essay proposes that Garcilaso was influenced by the illustrated tradition of Ovid’s Metamorphoses. Woodcuts from contemporary editions of the Metamorphoses commonly depict the two climactic moments of the myth, Iphis’ suicide and Anaxarete’s petrification, in a single panel against a common backdrop. Garcilaso’s interest in ekphrasis would have created a theoretical incentive to textualize an illustration, while his participation in the Accademia Pontaniana of Naples would have provided him with an audience, and textual community, accustomed to use book illustrations as aids in the memorization of classic texts.

中文翻译：

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木刻重述：加西拉索的“Ode ad florem Gnidi”中的视觉记忆

摘要 本文考虑了 Garcilaso de la Vega 的“Ode ad florem Gnidi”中神话范例的内部年表。仔细阅读表明，这个例子模仿了奥维德关于阿纳克萨雷特和伊菲斯的神话，叙述了两个不连续的场景，阿纳克萨雷特看到伊菲斯的尸体挂在她的门口时的怜悯，然后她看到他的尸体被抬进葬礼时吓坏了游行。为了支持这种解读，这篇文章认为加西拉索受到了奥维德《变形记》的插图传统的影响。当代版《变形记》的木刻版画通常描绘了神话的两个高潮时刻，伊菲斯的自杀和阿纳克萨雷特的石化，在同一背景下的单个面板中。Garcilaso 对 ekphrasis 的兴趣会产生一种理论激励来文本化插图，