ABSTRACT Despite the large amount of scholarship on Pedro Antonio de Alarcón's El sombrero de tres picos, its female protagonist, Frasquita, has been overlooked. This article analyzes the character of Frasquita through her literary and historical context. We argue that Frasquita's descriptions and actions are inspired by the mythical figure of the serrana and, more specifically, by Gila, the titular protagonist of Luis Vélez de Guevara's La serrana de la Vera. Both female protagonists, Frasquita and Gila, are described as excessively beautiful and desired, yet they are simultaneously described as having masculine strength and independence. Alarcón utilizes the serrana figure, tamed and transformed into the character of Frasquita, to assuage fears over the changing roles of women in fin-de-siècle Spain. By presenting gender deviance through Frasquita, and yet ultimately restoring her to a traditionally feminine and domesticated role at the end of the novel, El sombrero de tres picos attempts to represent and resolve the anxieties over gender deviance that were prevalent at the end of the nineteenth century.

中文翻译：

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Una serranadomesticada: La señá Frasquita en El sombrero de tres picos (1874)

摘要 尽管佩德罗·安东尼奥·德·阿拉尔孔 (Pedro Antonio de Alarcón) 的 El sombrero de tres picos 获得了大量奖学金，但其女主角弗拉斯奎塔 (Frasquita) 却被忽视了。本文通过弗拉斯奎塔的文学和历史背景来分析她的性格。我们认为 Frasquita 的描述和行动受到了 serrana 神话人物的启发，更具体地说，受到了 Luis Vélez de Guevara 的 La serrana de la Vera 的名义主角 Gila 的启发。两个女主角，Frasquita 和 Gila，都被描述为过于美丽和渴望，但同时被描述为具有男性的力量和独立性。阿拉尔孔利用驯服并转变为弗拉斯奎塔角色的塞拉纳形象来缓解人们对世纪末西班牙女性角色变化的担忧。