Abstract Although much has been written about André Breton’s concept of the Surrealist image, the present article examines a number of aspects that have so far escaped notice. In particular, it examines several antecedents of Pierre Reverdy’s theory of the image and compares the latter to that developed in the Manifeste du surréalisme. A close reading of the manifesto reveals the presence of a previously unknown model used by Breton in formulating his theory.

中文翻译：

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重温超现实主义形象

摘要 尽管关于安德烈·布列东 (André Breton) 的超现实主义图像概念已经写了很多，但本文探讨了迄今为止尚未引起注意的许多方面。特别是，它考察了皮埃尔·雷维尔迪的图像理论的几个前身，并将后者与超现实主义宣言中发展的理论进行了比较。仔细阅读宣言，就会发现布列塔尼在制定他的理论时使用了一个以前未知的模型。