ABSTRACT In this essay, the author follows Martin Heidegger and considers the formative structure of the they-self (das Man) to call attention to the communicative, hermeneutic possibility of “twisting free” from within it. The author then calls upon Kenneth Burke, Paul Ricoeur, Richard Kearney, and Catherine Keller to help “borrow back” a sacred but fragile language. Heidegger's twisting free thus explored allows readers to imagine different modes of being-with and communicative passageways within the They, which the author proposes as an anatheistic feminist reconception of sabbath as poetic language.

中文翻译：

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讲安息日：摔跤的邀请

摘要在本文中，作者遵循马丁·海德格尔（Martin Heidegger）的观点，并考虑了“他们自己”（das Man）的形成结构，以提请人们注意其内部“扭曲”的交际，诠释性可能性。然后，作者呼吁肯尼思·伯克（Kenneth Burke），保罗·里科（Paul Ricoeur），理查德·科尼（Richard Kearney）和凯瑟琳·凯勒（Catherine Keller）帮助“借回”一种神圣而脆弱的语言。因此，海德格尔的“扭曲自由”使读者能够想象“他们”内部的不同的存在方式和交往通道，作者提出这是对安息日作为诗意语言的一种无神论的女权主义观念。