ABSTRACT As one asks for a foundation of psychoanalysis and media archaeology, all paths lead back to Sigmund Freud. In addition to founding psychoanalysis as an “archaeology of the soul,” his remarkable endeavor also gave rise to the foundation of contemporary media archaeology, which depends on a long prehistory of archaeological models itself. In order not to mistake these models as mere metaphors, which Freudian research has done for the longest time, it is important to examine Freud's vivid correspondence and information politics with archaeology proper: Because Freud was an archaeological amateur and enthusiast, it is indeed possible to trace model-making archaeological passages in some of his most famous writings back to archaeological situations and “writing scenes.” The most important among these seems to be Freud's exchange with his friend of youth, Emmanuel Löwy (himself an archaeologist). Löwy sent his archaeological findings back to Freud, who then transformed them immediately into psychoanalytical models: This is how Freud's “archaeology of the soul” was directly informed by archaeology proper, and how it informs our current media archaeology.

中文翻译：

---

Saxa loquuntur！弗洛伊德的歇斯底里考古学

摘要当人们要求建立精神分析学和媒体考古学的基础时，所有途径都可以追溯到西格蒙德·弗洛伊德。除了将精神分析学确立为“灵魂考古学”之外，他的非凡成就还为当代媒体考古学奠定了基础，这取决于考古学模型本身的悠久历史。为了不将这些模型误认为是隐喻，这是弗洛伊德研究最长时间以来所做的，重要的是要检查弗洛伊德与考古学的生动对应和信息政治：由于弗洛伊德是考古爱好者和爱好者，因此确实有可能他在一些最著名的著作中追溯了制作模型的考古学段落，可以追溯到考古环境和“写作场景”。其中最重要的似乎是弗洛伊德 与他的青年朋友EmmanuelLöwy（他自己是考古学家）进行了交流。洛伊将他的考古发现发还给了弗洛伊德，弗洛伊德随后将其立即转化为心理分析模型：这就是弗洛伊德的“灵魂考古学”是如何从考古学本身直接获得信息的，以及它如何为我们当前的媒体考古学提供信息。