ABSTRACT This essay interrogates queer erasure from the film Black Panther. The implications of queer erasure from one of the most recognizable and lucrative franchises in film history are particularly problematic as Black Panther envisions “a Pan-African past, present, and future” where queer bodies are both invisible and unwelcome. By continuing to relegate queer sexualities to spaces of Otherness in superhero films, the film reifies dominant discourses of heteronormativity and patriarchy, producing a paradoxical image of Black (queer) women.

中文翻译：

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黑豹，酷儿擦除和流行文化中的交集表示

摘要这篇文章审问了电影《黑豹》中的酷儿现象。电影史上最知名，最赚钱的特许经营之一中消除酷儿的含义尤其成问题，因为黑豹（Black Panther）设想“一个泛非洲的过去，现在和未来”，其中酷儿的身体既无形又不受欢迎。通过在超级英雄电影中继续将酷儿的性行为交托给异性的空间，这部电影将异性主义和父权制的主流话语化了，从而产生了黑人（酷儿）妇女的悖论形象。