ABSTRACT

The relevance of the work is justified by the situation when the art of plastics, choreography becomes the mean of expressing the author’s intention. Art of plastic can afford author to express emotions and appeal to the spectator’s emotions through choreography. The purpose of this article is to show abilities of researching the plastic art, as method of demonstration emotions and feelings in a context of dramatic art. At the time of writing this article, the author used such methods as axiological, historical and artistic methods that offer to study and research the plastic art in context of modern drama theatre. To solve the problems discussed in the article, the author also used a comparative and problem-logical methods. While researching this topic was discovered and defined the term plastic art. We described the stages and process of its creation and implementation in theatrical art. It was noted that today in modern ballet art a striking example of a combination of musical plasticity and plasticity of movement is chamber ballet. The practical implementation of the study is possible primarily in the formation of performance programs and staging of choreographic compositions.

摘要

当造型艺术、编舞成为表达作者意图的手段时，作品的相关性得到了证明。造型艺术可以让作者通过编舞来表达情感并吸引观众的情绪。本文的目的是展示研究造型艺术的能力，作为在戏剧艺术背景下展示情感和感受的方法。在撰写本文时，作者使用价值论、历史学和艺术学等方法来研究和研究现代戏剧背景下的造型艺术。为了解决文章中讨论的问题，作者还采用了比较法和问题逻辑法。在研究这个主题时，人们发现并定义了造型艺术一词。我们描述了它在戏剧艺术中的创作和实施的阶段和过程。值得注意的是，今天在现代芭蕾艺术中，室内芭蕾是音乐可塑性和运动可塑性相结合的一个显着例子。该研究的实际实施可能主要是在表演节目的形成和编舞作品的舞台上。