ABSTRACT This article seeks to reveal and problematize the multi-layered construction of whiteness in dance competition culture by illuminating assumptions about technique embedded in ‘all styles’ competition dancers perform on stage. The phrase ‘dance all styles’ is a shorthand of sorts for those in dance competition culture, as what they really mean is they dance all styles represented in competition dance. In dance competition culture, technique is key in ‘all dance styles,’ and over time youth unknowingly come to equate the idea of technique with the attributes of ballet inherently reinforcing whiteness as normative. Policies and practices such as competition organizations' rules and regulations, judges’ commentary, and choreographic content are examined in relation to critical race theory to demonstrate how whiteness, white privilege, and white supremacy are performed on the competition stage.

中文翻译：

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在比赛舞台上表演白度：'我跳所有风格'

摘要 本文试图通过阐明“各种风格”比赛舞者在舞台上表演中嵌入的技巧假设，揭示和质疑舞蹈比赛文化中白度的多层次结构。“舞蹈所有风格”这个短语是舞蹈比赛文化中的一种简写，因为他们真正的意思是他们跳出比赛舞蹈中所代表的所有风格。在舞蹈比赛文化中，技术是“所有舞蹈风格”的关键，随着时间的推移，年轻人不知不觉地将技术的概念与芭蕾的固有属性等同起来，将白色作为规范。与批判种族理论相关的政策和实践，例如竞赛组织的规则和条例、法官的评论和编舞内容，都经过审查，以展示白人、白人特权、