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On un-silencing voices: tarantismo and the gendered heritage of Apulia
Folk Life Pub Date : 2019-01-02 , DOI: 10.1080/04308778.2019.1586093
Felicia K. Youngblood 1
Affiliation  

ABSTRACT How do we conceptualize women’s contributions to intangible cultural heritage in patriarchal societies? This article adds perspective to this question by examining the relationship of women’s voices to Southern Italian culture through the lens of the music and dance-based re-enactments of tarantismo. Though scholars have discussed this ritual for centuries, the vocal contributions of the tarantate—the women at the centre of the ceremony—are often undervalued in favour of more tangible objects and compositions, such as the surrounding instruments and traditional music repertoire. However, a more careful exploration of the ritual reveals the participation and importance of the tarantate to be more complex. Drawing on historical and ethnographic research from the province of Lecce, this article demonstrates that the female voice is an essential component to the soundscape of tarantismo and is central to concepts of heritage and identity for the people of Apulia.

中文翻译:

关于不沉默的声音:塔兰提斯莫和普利亚的性别遗产

摘要我们如何概念化女性在父权制社会对非物质文化遗产的贡献?本文通过以音乐和舞蹈为基础的tarantismo再现镜头,考察了女性声音与意大利南部文化之间的关系,从而为这个问题提供了视角。尽管学者们已经讨论了这种仪式数百年,但是礼貌的人(仪式中心的妇女)的声音贡献往往被低估了,而是倾向于使用更具体的物体和构图,例如周围的乐器和传统音乐曲目。然而,对仪式的更仔细的探索揭示了被威胁者的参与和重要性变得更加复杂。借鉴莱切省的历史和人种学研究,
更新日期:2019-01-02
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