ABSTRACT This article explores the conceptual and methodological innovations made possible by the encounter between ethnomusicology and affect theory. It draws on fieldwork among a translocal network of electronic dance music practitioners, many of whom employ sonic metaphors of vibration and resonance to link affect to collective experience. In doing so, these musicians and dancers develop emic notions of vibrational affect that converge with developments in sound studies on vibration and resonance. In addition to giving texture to collective musicking, electronic dance music’s tactile sonic-social metaphors lend traction to the task of reconciling affect theory to ethnomusicology. On the one hand, affect theory challenges ethnomusicology to broaden its analytic horizon beyond canonical understandings of culture. On the other hand, ethnomusicology calls affect theory to more clearly trace not only its modes of ‘escape’ and ‘autonomy’ but also its re-articulation, entanglement, and capture into the cultural webs of collective life.

中文翻译：

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感受氛围：电子舞曲场景中的声音、振动和情感协调

摘要 本文探讨了民族音乐学和情感理论之间的相遇所带来的概念和方法创新。它借鉴了跨地区电子舞曲从业者网络中的实地调查，其中许多人使用振动和共振的声音隐喻将影响与集体体验联系起来。在这样做的过程中，这些音乐家和舞者发展了振动影响的主位概念，这些概念与振动和共振的声音研究的发展趋于一致。除了为集体音乐赋予质感之外，电子舞曲的触觉声音社会隐喻为将情感理论与民族音乐学调和的任务提供了牵引力。一方面，情感理论挑战民族音乐学，以拓宽其分析视野，超越对文化的规范理解。另一方面，