ABSTRACT C. G. Jung’s “Psychology of the Transference” (1946/1954, CW 16) describes his template for healing in psychoanalysis. He selected a series of ten erotic alchemical woodcuts from the Rosarium Philosophorum. The author contends these drawings were chosen because of Jung’s emotional, deep, and healing relationships with three women who had previously been his patients: Sabina Spielrein, Maria Moltzer, and Toni Wolff. The author describes how she uses these drawings in her work. She then explores Jung’s relationships with these women and examines how his 1925 essay “Marriage as a Psychological Relationship” (1925/1954, CW 17) depicts Jung’s marriage to his wife, Emma.

中文翻译：

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荣格的自白

摘要 CG Jung 的“移情心理学”（1946/1954，CW 16）描述了他的精神分析治疗模板。他从 Rosarium Philosophorum 中挑选了一系列 10 幅情色炼金木刻版画。作者认为，之所以选择这些画，是因为荣格与三位曾经是他的病人的女性的情感、深厚和治愈的关系：萨宾娜·斯皮尔林、玛丽亚·莫尔泽和托尼·沃尔夫。作者描述了她如何在作品中使用这些图画。然后，她探索了荣格与这些女性的关系，并考察了他 1925 年的文章“婚姻作为一种心理关系”（1925/1954，CW 17）如何描述荣格与妻子艾玛的婚姻。