ABSTRACT Drones, no matter whether military or civilian, have been widely theorized as a media technology. An important notion for conceptualizing the particular scopic regimes of drones has been “drone vision.” Recently, some scholars have suggested to shift the attention toward the “more-than-optical”, “more-than-visual” or “synesthetic” characteristics of drones. Drawing on a (post-)phenomenological reading of First Person View (FPV) drone flight, this article asks, firstly, how the “more-than” component in the notion “more-than-optical” emerges in the embodied actions and perceptions of amateur drone users, and secondly, how these experiences might be conceptualized. As a key concept for my reflection, I take up the notion of telepresence, which emerged in the discourse on remote control and teleoperation technologies and finally found its way as an artistic strategy and popular motif into our contemporary socio-technical imaginaries. This article suggests first steps toward an empirical and theoretical exploration of the heterogeneous technogene sensations of drones.

中文翻译：

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超越无人机视觉：第一人称视角无人机飞行的具体远程呈现

摘要 无人机，无论是军用还是民用，都被广泛地理论化为一种媒体技术。将无人机的特定视野范围概念化的一个重要概念是“无人机视觉”。最近，有学者建议将注意力转移到无人机的“超光学”、“超视觉”或“联觉”特性上。本文借鉴第一人称视角 (FPV) 无人机飞行的（后）现象学阅读，首先询问“多于光学”概念中的“多于”成分如何出现在具身行为和感知中业余无人机用户，其次，如何将这些体验概念化。作为我思考的一个关键概念，我采用了远程呈现的概念，它出现在远程控制和遥操作技术的讨论中，并最终作为一种艺术策略和流行主题进入了我们当代的社会技术想象。本文提出了对无人机异质技术基因感觉进行实证和理论探索的第一步。