Abstract This review of interwar design from various regions in Italy traces the development of a modern national style at this critical period of Italian history, dominated by the fascist regime. Through the examination of the Monza Biennials in the 1920s and the Milan Triennials in the 1930s, this article illustrates how Italian furniture partially abandoned regional folk traditions in favor of two main design movements: Novecento and Rationalism. The negotiation between craftsmanship and industrial production slowly shifted towards the application of technology paving the way for creativity and innovation in Italian post-war design. After 1936, the enforcement of the autarchic policy, which advocated for an economic self-sufficiency and relied on local resources, further encouraged experimentation with new synthetic materials, which were mostly used by rationalist architects.

中文翻译：

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两次世界大战期间意大利家具的工艺和工业生产

摘要 这篇对意大利不同地区两次世界大战间设计的回顾追溯了在法西斯政权主导的意大利历史关键时期现代民族风格的发展。通过对 1920 年代的蒙扎双年展和 1930 年代的米兰三年展的考察，本文说明了意大利家具如何部分地放弃了地区民间传统，转而支持两个主要的设计运动：Novecento 和理性主义。工艺与工业生产之间的谈判逐渐转向技术应用，为意大利战后设计的创造力和创新铺平了道路。1936 年之后，提倡经济自给自足并依赖当地资源的独裁政策的实施进一步鼓励了新合成材料的试验，