Abstract Interwar French Maisons du peuple were architectural and programmatic composites—integrating social, political, cultural, recreational and educational activities and agendas. These buildings exemplified how architects and technicians negotiated complex relations between social vision, formal expression, technique, identity and power. Focused on the Atelier Jean Prouvé’s contribution to the design and construction of the Maison du peuple of Clichy, this study of how craft-based methods were deployed in the service of innovative design seeks to expand and nuance “machinist” understandings of interwar Modernisms.

中文翻译：

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在车间制造机器：克利希人民之家，1935-1940

摘要 两次世界大战之间的法国人民之家是建筑和程序的组合——整合了社会、政治、文化、娱乐和教育活动和议程。这些建筑体现了建筑师和技术人员如何协商社会愿景、形式表达、技术、身份和权力之间的复杂关系。专注于让·普鲁韦工作室对克利希人民之家的设计和建造的贡献，这项关于如何在创新设计服务中部署基于工艺的方法的研究旨在扩大和细微差别对两次世界大战之间现代主义的“机械师”理解。