Abstract

The purpose of this paper is to explore the nature and interplay of the logics that inform the day-to-day work of small cultural productions. Positioned in the literature on cultural and creative industries, it embraces a discourse perspective and in particular the concept of “polyphony” as an analytical lens. Empirically, the paper draws on a case study of a music association, in which the authors especially followed the production of a music festival. What emerges is a situation of pluralism of discourses, a variety of relations among these discourses, and fluidity of discourses across actors and roles, which lead the authors to question, at least in part, the presupposed artistic vs. business dualism within which cultural productions and creative industries are instead typically framed.

摘要

本文的目的是探讨为小型文化产品的日常工作提供信息的逻辑的本质和相互影响。它定位于文化和创意产业的文献中，它具有话语视角，尤其是作为分析镜头的“复音”概念。从经验上讲，本文引用了一个音乐协会的案例研究，其中作者特别关注音乐节的制作。出现的是话语多元性，这些话语之间的各种关系以及话语在演员和角色之间的流动性的情况，这使作者至少部分地质疑文化生产中预设的艺术二元论与商业二元论。而创意产业通常是由框架构成的。