当前位置: X-MOL 学术Chinese Studies in History › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
Confucian culture and thought as embodied in Han dynasty pictorial carvings
Chinese Studies in History Pub Date : 2018-07-03 , DOI: 10.1080/00094633.2018.1544015
Tang Jian

Abstract Confucian culture and thought are among the core intellectual elements produced and formed through Han pictorial carvings, and an intrinsic factor informing artistic expression as well as aesthetic connotations and characteristics in this period. Only through systematic observation and study can we truly understand and appreciate the artistic essence contained within the images in Han pictorial carvings, and thereby lift our gaze upward to consider the artistic principles and aesthetic ideology of Han portraiture. The author begins by examining Confucian culture and thought as embodied in Han pictorial carvings, analyzing its themes, subjects, and artistic expression, so as to reflect on its cultural vision, as well as its aesthetic height and orientation.

中文翻译:

汉代画像雕刻中的儒家文化思想。

摘要儒家文化思想是汉代雕刻作品产生和形成的核心知识元素,是这一时期艺术表达,美学内涵和特征的内在因素。只有通过系统的观察和研究,我们才能真正理解和欣赏汉画像中图像所包含的艺术本质,从而抬头凝视汉画像的艺术原理和审美意识形态。作者首先考察了汉代雕刻作品中体现的儒家文化和思想,分析了其主题,题材和艺术表现形式,以反映其文化视野以及美学高度和方向。
更新日期:2018-07-03
down
wechat
bug