ABSTRACT

This article attempts to shed light on the aspects of the persona which enabled Marion Cotillard to have a long-lasting career in Hollywood where so many other French stars have failed, by analysing her most important roles, as well as her image in the English-speaking press. Even if her Americanisation distinguished her from her fellow countrywomen like Audrey Tautou or Juliette Binoche, Cotillard nonetheless never lost her Frenchness, which played just as important a role in her Hollywood success. By comparing Cotillard to other female French stars such as Simone Signoret, Catherine Deneuve, Juliette Binoche or Audrey Tautou, I show how she followed a tradition of representations of French women that enabled her to distinguish herself from other Hollywood stars who do not possess this ‘exoticness’, but also how she differentiated herself from her compatriots popular in the US. I also underline the complexity of her persona, which prevented being trapped in a monolithic and fixed national stereotype, and enabled her to embody an eminently singular variation on this stereotype, perfectly adapted to the American ideological context of the 2010s.

摘要

本文试图通过分析玛丽昂歌迪亚最重要的角色以及她在英语中的形象，阐明使玛丽昂歌迪亚能够在许多其他法国明星都失败的好莱坞拥有长期职业生涯的角色的各个方面 -说新闻。即使她的美国化使她与奥黛丽·塔图 (Audrey Tautou) 或朱丽叶·比诺什 (Juliette Binoche) 等同胞区别开来，歌迪亚也从未失去法国性，这在她的好莱坞成功中发挥了同样重要的作用。通过将歌迪亚与西蒙娜·西诺雷、凯瑟琳·德纳芙、朱丽叶·比诺什或奥黛丽·塔图等其他法国女明星进行比较，我展示了她如何遵循法国女性形象的传统，使她能够将自己与其他不具备这一点的好莱坞明星区分开来。异国情调', 以及她如何将自己与在美国流行的同胞区分开来。我还强调了她角色的复杂性，这避免了她陷入单一和固定的国家刻板印象中，并使她能够体现这种刻板印象的独特变化，完美适应 2010 年代的美国意识形态背景。