This is a unique take on the theatre archive and provides mental nourishment for anyone working with such collections. Overall there is a good level of detail about the methods used in and outcomes of digitisation and research projects. An extra essay on the use of archives to produce performances would have balanced out the concluding section of the book with the other parts. This book will be of interest to a wide readership with interests in Irish theatre history, performance studies, memory studies, library and archival theory as well as practitioners and will be of particular use to archivists looking to engage with digital humanities in more depth. As the book discusses and showcases, this subject area is truly multi-disciplinary, and there is no reason why the readership of this book should not be too.

中文翻译：

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记录和信息管理的道德规范

这是对剧院档案的独特诠释，并为处理此类收藏的任何人提供了精神上的滋养。总体而言，关于数字化和研究项目中使用的方法和结果的详细程度很高。一篇关于使用档案制作表演的额外文章可以平衡本书的结论部分与其他部分。本书将吸引对爱尔兰戏剧历史、表演研究、记忆研究、图书馆和档案理论以及从业者感兴趣的广大读者，并将特别适用于希望更深入地参与数字人文学科的档案工作者。正如本书所讨论和展示的那样，这个学科领域确实是多学科的，本书的读者群没有理由不应该太多。