The three preceding essays constitute a compelling contemporary journey into Fedor Dostoevskii’s controversial epilogue to Crime and Punishment. Katherine Bowers, Kate Holland, and Eric Naiman suggest original readings that reflect questions of theory and discourse which engage us today, while at the same time each enters into a generous, multi-faceted dialogue with earlier thinkers like Mikhail Bakhtin and Konstantin Mochulsky and onward to Carol Apollonio, Robert L. Belknap, Ilya Kliger, Tat’iana Kasatkina, Gary Saul Morson, Gary Rosenshield, Kathleen Scollins, and Sarah J. Young (to name only a very few). All have evaluated the epilogue and the degree of its organic or unnatural connection to the rest of Dostoevskii’s novel. The number of voices brought to bear in these three essays is remarkable, and it showcases the unceasing degree of multi-faceted, swirling dialogue that Dostoevskii consistently provokes. Moreover, there is productive, creative overlap among these essays themselves, as Bowers, Holland, and Naiman each engage with matters of genre, plot, narrative, voice, character, and time. These essays led me to think anew about Dostoevskii’s epilogue and to recall in what can only be described as a piercing way the words of T.S. Eliot in “Little Gidding” and “East Coker”—each part of his much longer work, Four Quartets. From “Little Gidding”:

中文翻译：

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后记：到底是开始

前三篇论文构成了费多·陀思妥耶夫斯基（Fedor Dostoevskii）有争议的《犯罪与惩罚》结语的当代引人入胜的旅程。凯瑟琳·鲍尔斯（Katherine Bowers），凯特·霍兰德（Kate Holland）和埃里克·奈曼（Eric Naiman）提出的原创读物反映了当今引起我们注意的理论和话语问题，与此同时，每种读物都与米哈伊尔·巴赫金（Mikhail Bakhtin）和康斯坦丁·莫丘斯基（Konstantin Mochulsky）等早期思想家进行了广泛而多面的对话Carol Apollonio，Robert L. Belknap，Ilya Kliger，Tat'iana Kasatkina，Gary Saul Morson，Gary Rosenshield，Kathleen Scollins和Sarah J. Young（仅举几例）。所有人都评价了结尾以及与陀思妥耶夫斯基其余小说的有机或不自然联系。这三篇论文中表达出的声音数量惊人，它展示了陀思妥耶夫斯基一贯挑起的多层面，漩涡状对话。此外，由于鲍尔斯（Bowers），荷兰（Holland）和奈曼（Naiman）各自从事体裁，情节，叙述，话语，性格和时间问题，因此这些论文之间存在着富有成效的，创造性的重叠。这些文章使我重新思考了陀思妥耶夫斯基的结尾，并回想起TS艾略特在《小礼物》和《东科克》中的用词来形容，这是他更长篇幅的作品《四重奏》的一部分。摘自“ Little Gidding”：这些文章使我重新思考了陀思妥耶夫斯基的结尾，并回想起TS艾略特在《小礼物》和《东科克》中的用词来形容，这是他更长篇幅的作品《四重奏》的一部分。摘自“ Little Gidding”：这些文章使我重新思考了陀思妥耶夫斯基的结尾，并回想起TS艾略特在《小礼物》和《东科克》中的用词来形容，这是他更长篇幅的作品《四重奏》的一部分。摘自“ Little Gidding”：