The Nigerian film industry (Nollywood) has phenomenally exploded to the extent of affecting audiences and social institutions in various African countries. In Cameroon particularly, various indications suggest that the industry is positively received, despite the persistence of perceptible anti-Nigerian and nationalist feelings among sections of the country’s audiences and communities of cinema ideologues. Using empirical understandings, observations and secondary sources, this paper seeks to explore how the Nollywood phenomenon is manifested and received in the Cameroonian market. It precisely examines the various indexes of Nollywood presence in the country which can be seen in (i) the place Nollywood films have in television broadcast in the country, (ii) the extent to which Nollywood films affect local cinema production in Cameroon and (iii) Cameroonian audiences’ attitudes towards Nollywood films and actors.

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喀麦隆的诺莱坞：动态电影文化的跨国化和接受

尼日利亚电影业（诺莱坞）出现了惊人的爆炸式增长，影响了非洲各国的观众和社会机构。特别是在喀麦隆，各种迹象表明该行业受到了积极的欢迎，尽管该国部分观众和电影理论家社区中存在明显的反尼日利亚和民族主义情绪。本文利用实证理解、观察和二手资料，试图探讨喀麦隆市场如何体现和接受诺莱坞现象。它精确地检查了诺莱坞在该国存在的各种指标，这些指标可以从 (i) 诺莱坞电影在该国电视广播中的位置中看出，