The Dekalog series, comprised of ten films made by Kieslowski in 1989-90 for the Polish TV, inspired by the Ten Commandments (Decalogues) in the Torah, treats the goodness and innocence of human beings, as well as the evilness and anxiety. Generally, as a common element in all films of the series, appears the triangle of order-submission-disobedience and the power field becomes a tide moving back and forth between different characters. According to Foucault, power is perceived differently today, compared to the past. In the earlier times, power was perceived to be the rulership of a king over its subjects, while today, different types of power exist. Foucault argues that the punishment directed towards the body before is now directed to the soul. The discourse in the Ten Commandments that directs people what to do and what not overlaps the Foucauldian definition of power and the punishment of the soul. This phenomenon appears in every film of the series differently, through the characters and the plot. This article’s objective is to examine Kieslowski’s Dekalog series through the relationship between order, submission and power, and to discuss the effects of this relationship over the characters.

中文翻译：

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基耶斯洛夫斯基十诫中的秩序、不服从和权力

Dekalog 系列由 Kieslowski 于 1989-90 年为波兰电视台制作的十部电影组成，灵感来自托拉中的十诫（Decalogues），对待人类的善良和纯真，以及邪恶和焦虑。总的来说，作为该系列所有电影的共同元素，出现了秩序-服从-不服从的三角形，权力场成为不同角色之间来回流动的潮流。根据福柯的说法，与过去相比，今天对权力的看法有所不同。在早期，权力被认为是国王对其臣民的统治，而今天，存在不同类型的权力。福柯认为，以前针对身体的惩罚现在针对灵魂。十诫中指导人们做什么和不做什么的话语与福柯对权力和灵魂惩罚的定义重叠。这种现象在该系列的每一部电影中都以不同的方式出现，通过人物和情节。本文的目的是通过秩序、服从和权力之间的关系来审视基耶斯洛夫斯基的Dekalog系列，并讨论这种关系对人物的影响。