The study examines how some renowned Hollywood and Bollywood movies deal with geopolitical representations of empire and regional politics through the construction of discourses centered on the building of “empire” and “nation”. These movies reflect how government machineries evaluate the political situation and strategic policies of the country in managing geopolitical environments through the construction of security narratives, political rhetoric and geopolitical discourses. The narratives of specific Hollywood movies tend to explain contemporary geopolitics with an emphasis on America’s military power, strategy and world leadership while the genre of Bollywood movies reconnects the ideology of division through the establishment of geographies of ‘us’ and ‘them’ setting aside the so-called “secular face” of the state.

中文翻译：

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好莱坞时代的宝莱坞：极端民族主义、恐怖主义和暴力的叙事

该研究考察了一些著名的好莱坞和宝莱坞电影如何通过构建以“帝国”和“国家”建设为中心的话语来处理帝国和地区政治的地缘政治表现。这些电影反映了政府机构如何通过构建安全叙事、政治言论和地缘政治话语来评估国家在管理地缘政治环境方面的政治形势和战略政策。特定好莱坞电影的叙事倾向于通过强调美国的军事力量、战略和世界领导地位来解释当代地缘政治，而宝莱坞电影类型通过建立“我们”和“他们”的地理区域来重新连接分裂的意识形态，将“我们”和“他们”放在一边。所谓“世俗面孔”的国家。