Abstract This essay examines two Norwegian cultural icons: the Lutheran priest and poet, Petter Dass (1647–1707) and the writer and recipient of the Nobel Prize for Literature in 1920, Knut Hamsun (1859–1952). I have composed two double portraits of the men by connecting the Norwegian architectural team, Snøhetta with American architect, Steven Holl. In doing so, the essay illustrates how the Petter Dass Museum by Snøhetta and the Knut Hamsun Centre by Holl have both emerged as products of the Norwegian cultural principle of strong regionalism, particularly in terms of theatricality and environmentalism. A visitor to either the Petter Dass Museum or the Knut Hamsun Centre becomes part of a theatrical event in which four actors, two dead and two alive, the writers and the architects, communicate in physical terms about the metaphysical environment and the relationship between the scenographic and the tectonic, which literally and figuratively mixes their respective poetics into a Gesamtkunstwerk.

中文翻译：

---

塑造空间戏剧性：Snøhetta 的 Petter Dass 博物馆和 Steven Holl 的 Knut Hamsun 中心

摘要 本文考察了两个挪威文化偶像：路德教牧师和诗人 Petter Dass (1647–1707) 以及作家和 1920 年诺贝尔文学奖获得者 Knut Hamsun (1859–1952)。通过将挪威建筑团队 Snøhetta 与美国建筑师 Steven Holl 联系起来，我创作了两幅男性双重肖像。在此过程中，这篇文章说明了 Snøhetta 的 Petter Dass 博物馆和霍尔的 Knut Hamsun 中心如何成为挪威强烈区域主义文化原则的产物，特别是在戏剧性和环保主义方面。佩特达斯博物馆或克努特哈姆森中心的访客成为戏剧活动的一部分，其中四位演员，两死两生，作家和建筑师，