tively providing a medium for merging intellectual rigour with aesthetic acumen. Furthermore, the contributors have demonstrated, once again, that far from inhabiting an isolated cultural backwater, African peoples have contributed mightily to the scholarly, cultural and artistic traditions of our world. Therefore, although most chapters are principally site or subject overviews, covering information likely already known to the specialist, the perspectives presented make the volume certainly deserving of a read and likely a position on an introductory syllabus. Thus, while it is indeed handsome, this volume provides further proof of the folly of judging a book by its cover, as Caravans of Gold is worthy of a place on anyWest Africanist’s bookshelf, not merely their coffee tables.

中文翻译：

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西非背景下的尼日利亚中石器时代

积极地提供一种将思想上的严谨与审美敏锐融合的媒介。此外，贡献者再次证明，非洲人民远没有居住在孤立的文化死水上，反而为我们世界的学术，文化和艺术传统做出了巨大贡献。因此，尽管大多数章节主要是站点或主题的概述，涵盖了专家可能已经知道的信息，但是所呈现的观点肯定使本书的内容值得阅读，并且可能在入门课程中也有一定的位置。因此，尽管确实很帅，但此书进一步证明了通过封面来判断一本书的愚蠢性，因为“黄金大篷车”值得在任何西非主义者的书架上放下，而不仅仅是在咖啡桌上。