This article will analyze Jorge Prelorán’s texts, as well as published interviews, so as to identify notions and points of view that he elaborated about the craft of cinematography. Special emphasis will be placed on his initial experience at the UCLA Colloquium on Ethnographic Film (1968), and later in the Ethnographic Film Program of the same institution. His reflections accompany his films unfailingly; his professional career as a university professor and researcher, and his role as a trainer of new directors, links his discursive strategies with the will to expand his field of pedagogical and artistic action.

中文翻译：

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“那是电影，而不仅仅是缺乏灵魂的镜头”——Jorge Prelorán 和民族志电影

本文将分析 Jorge Prelorán 的文本以及已发表的采访，以确定他对电影摄影工艺所阐述的概念和观点。将特别强调他在加州大学洛杉矶分校民族志电影学术讨论会（1968 年）以及后来在同一机构的民族志电影计划中的初步经验。他的反思始终伴随着他的电影；他作为大学教授和研究员的职业生涯，以及作为新导演培训师的角色，将他的话语策略与扩大教学和艺术活动领域的意愿联系在一起。