ABSTRACT This paper is set out to unfold present and past (rock art) ontologies or ‘worldings’. It aims to present different modes of identifications, and the often intricate relationships between humans and other-than-humans from a relational perspective, with the hope of challenging our western perception of the world. It presents some thoughts on how different ontologies are unfolded through artworks and material culture, and how these worldings differ from one another.

中文翻译：

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展开现在和过去（岩画）世界

摘要 本文旨在展开现在和过去（岩画）本体或“世界”。它旨在从关系的角度呈现不同的认同模式，以及人类与非人类之间往往错综复杂的关系，希望挑战我们西方对世界的看法。它提出了一些关于不同本体如何通过艺术品和物质文化展开的想法，以及这些世界如何彼此不同。