This article reconsiders the significant contributions made by women who worked in England during the 1930s and developed modern dance and movement as performers and teachers. Laban’s arrival in 1938 built on a series of ideas, practices, events, and relationships that were to have far reaching consequences and which left a legacy where it is Laban’s name that is canonical. These dancers and teachers included Anny Boalth, Leslie Burrowes, Anny Fligg, Joan Goodrich, Diana Jordan, Lisa Ullmann, Louise Soelberg and others. It gives an overview of the ways in which these women interacted with Laban and his ideas and how they variously developed networks that enabled Laban’s practices to flourish. The histories of these women working in Britain during the 1930s are uncovered. As a genealogy, this chapter is a re-appropriation of those archival and published records out of which the canonical history of dance and theatre performances have been created in order to find something altogether different. Previously unpublished interviews and archival documents are drawn on to help uncover the hidden histories of the contributions that these women made to the field of theatre, dance, performance and movement training, bringing their pedagogy out of the shadows.

中文翻译：

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现代运动：1930 年至 1941 年，女性对鲁道夫·拉班的思想和实践在英格兰取得成功的贡献

本文重新考虑了 1930 年代在英国工作并作为表演者和教师发展现代舞蹈和运动的女性做出的重大贡献。拉班于 1938 年的到来建立在一系列思想、实践、事件和关系的基础上，这些思想、实践、事件和关系将产生深远的影响，并留下了经典的遗产，即拉班的名字。这些舞者和老师包括安妮·博尔思、莱斯利·伯罗斯、安妮·弗利格、琼·古德里奇、戴安娜·乔丹、丽莎·乌尔曼、路易丝·苏尔伯格等。它概述了这些女性与拉班和他的想法互动的方式，以及她们如何以不同的方式发展使拉班的实践蓬勃发展的网络。这些 1930 年代在英国工作的女性的历史被揭露。作为家谱，本章是对那些档案和出版记录的重新挪用，从这些记录中创建了舞蹈和戏剧表演的经典历史，以找到完全不同的东西。之前未发表的采访和档案文件被用来帮助揭示这些女性对戏剧、舞蹈、表演和运动训练领域做出的贡献的隐藏历史，使她们的教学法走出阴影。