ABSTRACT Using oral history interviews and questionnaires gathered as part of the ‘Cultural Memory and British Cinema-going of the 1960s’ project, this article recovers and analyses the reminiscences of people who were interested or involved in the British counterculture. By drawing on a broader range of experiences than typically represented in canonical accounts of the counterculture and those that have informed prior historical scholarship, it adds a wider range of experiences, understandings and behaviours when considering how people remember their discovery of the counterculture and its bearing on their social lives, understanding of film, popular culture, politics and society. The article demonstrates how film and, more generally, popular culture held significance in presenting ideas about counterculture as well as how cinemas and film clubs provided spaces for people to socialise and develop subcultural networks. It also suggests how significant class, locality, educational experiences and gender were in shaping how people did or did not enter countercultural scenes, how they understood themselves, their cinema-going experiences and the films that they watched.

中文翻译：

---

怪诞场景：电影中的回忆和 1960 年代的英国反主流文化。

摘要 本文使用作为“1960 年代文化记忆和英国电影之旅”项目的一部分收集的口述历史访谈和问卷，恢复并分析了对英国反主流文化感兴趣或参与其中的人们的回忆。通过借鉴比典型的反主流文化经典描述和那些为以前的历史研究提供信息的经验更广泛的经验，它在考虑人们如何记住他们对反主流文化的发现及其影响时增加了更广泛的经验、理解和行为关于他们的社会生活，对电影、流行文化、政治和社会的理解。这篇文章展示了电影如何，更一般地说，流行文化在表达反主流文化思想以及电影院和电影俱乐部如何为人们提供社交和发展亚文化网络的空间方面具有重要意义。它还表明阶级、地域、教育经历和性别在塑造人们如何进入或未进入反文化场景、他们如何理解自己、他们的电影经历和他们观看的电影方面有多么重要。