Abstract Responding to Marco Abel and Alexander Vazansky’s recent provocation to reevaluate and expand the notion of the “political” in late 1960s West German cinema, I argue in this essay that Roland Klick’s film Bübchen is “political” not only to the extent that it critically represents West German bourgeois morality, but also – and moreover – because it stages this critique through forms that deviate from the standard aesthetics of the Young German Cinema. In conclusion, I suggest that the film challenges us to rethink not only what “political” cinema was in the “long 1968,” but also what political filmmaking might be today.

中文翻译：

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在左边之外：罗兰·克利克 (Roland Klick) 的《布臣》（小男孩，1968 年）中的暴力和情感政治

摘要 为了回应 Marco Abel 和 Alexander Vazansky 最近在 1960 年代后期西德电影中重新评估和扩展“政治”概念的挑衅，我在这篇文章中认为，罗兰·克利克的电影《布布臣》不仅在批判性的程度上具有“政治性”代表西德资产阶级道德，而且——而且——因为它通过与年轻德国电影的标准美学背道而驰的形式来呈现这种批判。总之，我建议这部电影不仅让我们重新思考“漫长的 1968 年”中的“政治”电影是什么，而且让我们重新思考今天的政治电影制作可能是什么。