ABSTRACT This brief essay examines the multisensory aspects of the painterly technique of sfumato, first through an analysis of Corregio’s interpretation of the myth of Jupiter and Io, then in the broader context of Renaissance approaches to the representation of space. While scholarship has emphasized the optical character of sfumato, aerial and linear perspective, the last part of this essay replaces these approaches in the context of the immersive character of Renaissance arts and suggests parallels with the dissolution of boundaries between art and audience characteristic of modern and contemporary art.

中文翻译：

---

沉浸在 sfumato 中：Correggio 的感官调色板和身临其境的文艺复兴

摘要 这篇简短的文章首先通过分析 Corregio 对木星和艾欧神话的解释，然后在文艺复兴时期空间表现方法的更广泛背景下，考察了 sfumato 绘画技术的多感官方面。虽然学术界强调了晕染、空中和线性透视的光学特征，但本文的最后一部分在文艺复兴时期艺术的沉浸式特征的背景下取代了这些方法，并提出了与现代和当代艺术特征的艺术与观众之间界限消解的相似之处。当代艺术。