Abstract In contemporary artworks of so-called post-media assemblage, screens can be argued to emphasize, interconnect and rearticulate relationships between various parts in various modalities of image-making and display. They can be understood to produce gesturality that maintains conditions of mediality, which is the sustenance of relations between different parts of the media ensemble. This paper is an attempt to understand screens by analysing the gesturality that they propagate and not just facilitate. For this purpose, the paper interrogates the intermediality of screens in contemporary media arts that rely on this gesturality. By closely analysing contemporary media art installations such as Solar Reserve (Tonopah, Nevada) (John Gerrard, 2014) and Shadow 3 (Shilpa Gupta, 2007), this paper elaborates a concept of intermediality as an unfixed state and describes in-betweenness as enabling an openness to continuously form, unform and deform relations with different entities, thereby producing a gestural modality.

中文翻译：

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后媒体集合中屏幕的中间性

摘要在所谓的后媒体组合的当代艺术作品中，可以说屏幕是强调，互连和重新构图图像和显示的各种形式中各个部分之间的关​​系。可以理解，它们会产生保持中间状态的手势，这是媒体整体不同部分之间关系的维持。本文试图通过分析屏幕传播的手势来理解屏幕，而不仅仅是帮助屏幕。为此，本文对依靠这种手势的当代媒体艺术中屏幕的中间性进行了质询。通过仔细分析当代媒体艺术装置，例如Solar Reserve（内华达州托诺帕，Solar Reserve）（John Gerrard，2014年）和Shadow 3（Shadow 3，Shilpa Gupta，2007年），