Abstract It is well known that Keats found the word ‘gusto’ in Hazlitt’s lectures and writing, but the concept itself, as a term used particularly in relation to pictorial art, and Keats’s own development of the idea, have less often been examined. This essay builds upon a hint in Ian Jack’s study Keats and the Mirror of Art, examining the issue of Annals of the Fine Arts in 1819. In this journal appear Hazlitt’s essay on ‘Gusto’, Keats’s ‘Ode on a Grecian Urn’, and also an intriguing article by Michael Sharp on representing emotions through hand gestures in art. This is linked speculatively here with Keats’s enigmatic and chilling fragment, ‘This living hand…’.

中文翻译：

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趣味：济慈、黑兹利特和绘画艺术

摘要 众所周知，济慈在黑兹利特的讲座和写作中发现了“热情”这个词，但这个概念本身，作为一个专门与绘画艺术相关的术语，以及济慈自己对这一思想的发展，很少受到审查。这篇文章建立在伊恩·杰克研究济慈和艺术之镜的基础上，研究了 1819 年美术年鉴这一问题。在这本期刊中出现了黑兹利特关于“Gusto”的文章，济慈的“希腊瓮上的颂歌”，以及也是 Michael Sharp 关于通过艺术中的手势来表达情感的一篇有趣的文章。这与济慈神秘而令人毛骨悚然的片段“这只活的手……”在这里推测性地联系在一起。