level of language. And this is precisely what we are gathered here for. Translated by Rebecca Landm er Love J€ onsson adds on rereading this piece: Fifteen years ago, the reclaiming of konsthantverk and sl€ojd as concepts fueled with references to contemporary culture rather than tradition and legacy was still fairly new in Sweden. Many of the makers I referred to, explicitly or implicitly, have since then become established and have had an influence on others. Anders Jakobsen, for instance, is still the leading profile within the genre he himself has coined radikalsl€ojd or radical sloyd, but the term is today often also used as a general concept denoting nontraditional craft by like-minded makers. A few years ago, Anders Jakobsen founded a pedagogical institution to spread his mission, called HIR (Hede Institute for Radicalsloyd; Hede being a small northern village where he partly lives). Rather than a serious attempt to institutionalize his working methods, this was perhaps more of a playful take on the tradition of distinguished furniture makers taking on apprentices or even the setting up of private schools, with Carl Malmsten and James 56 Primary Text Various Authors The Journal of Modern Craft Volume 12—Issue 1—March 2019, pp. 51–65 Krenov as standard twentieth-century examples in the Swedish context. When I wrote my paper in 2004, Betsy Greer in the United States had recently coined the term craftivism, which I did not know at the time. In the last ten years, hantverksaktivism has risen as a Swedish translation for craftivism, thus adding to the list of intertwined Swedish terms. In Swedish usage, hantverksaktivism seems more connected to sl€ojd than to konsthantverk, but the dividing lines are not rigid. In 2014, gerillasl€ojd (guerilla crafts) was launched as a new concept by the blogger Frida Arnqvist Engstr€ om.

中文翻译：

---

02 版智库文本：语言 (2005)

语言水平。而这正是我们聚集在这里的目的。由 Rebecca Landm 翻译 Love J€onsson 补充重读这篇文章：15 年前，将 konsthantverk 和 sl€ojd 重新定义为参考当代文化而不是传统和遗产的概念在瑞典仍然相当新鲜。我所提到的许多制造商，无论是明示还是暗示，从那时起就已经确立并对其他人产生了影响。例如，安德斯·雅各布森 (Anders Jakobsen) 仍然是他自己创造的 radikalsl€ojd 或激进斯洛伊德 (radikalsl€ojd) 流派中的主要人物，但该术语今天也经常被用作表示志同道合的制造商的非传统工艺的一般概念。几年前，安德斯·雅各布森 (Anders Jakobsen) 创立了一个教育机构来传播他的使命，名为 HIR（Hede Institute for Radicalsloyd；河德是他部分居住的北部小村庄）。与其认真尝试将他的工作方法制度化，这可能更像是对杰出家具制造商收徒弟甚至建立私立学校的传统的一种有趣的看法，与 Carl Malmsten 和 James 一起 56 主要文本 各种作者 期刊2019 年 3 月，《现代工艺》第 12 卷——第 1 期，第 51-65 页 Krenov 作为 20 世纪瑞典语境中的标准例子。当我在 2004 年写论文时，美国的 Betsy Greer 最近创造了工艺主义这个词，当时我并不知道。在过去的十年中，hantverksaktivism 已经上升为工艺主义的瑞典语翻译，从而增加了交织在一起的瑞典语术语列表。在瑞典语中，hantverksaktivism 似乎与 sl€ojd 的联系比与 konsthantverk 的联系更紧密，但分界线并不严格。2014 年，博主 Frida Arnqvist Engstr€ om 推出了 gerillasl€ojd（游击手工艺品）作为一个新概念。