Abstract Australian Performing Arts Market (APAM) is the Australia Council for the Arts’ key strategic engagement to develop national and international touring opportunities for Australian contemporary performing arts. Prior to delivery of the Market1 by Brisbane Powerhouse there was criticism from the Aboriginal and Torres Strait Islander performing arts sector about the lack of inclusion of Indigenous cultural products and low visibility of Aboriginal and Torres Strait Islander perspectives and cultural protocols in the delivery of the Market. Over a sequence of three iterations from 2014 to 2018 Brisbane Powerhouse made a deep commitment to the recognition of the unique contribution that Aboriginal and Torres Strait Islander artists and companies bring to a performing arts market in Australia. The respectful inclusion of Aboriginal and Torres Strait Islander artists was a palpable step-change. This article investigates how APAM became as a site for cultural resurgence for Aboriginal and Torres Strait Islander artists and demonstrates the activation of decolonized practices to reshape the Market.

中文翻译：

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第一民族至上：通过与原住民和托雷斯海峡岛民艺术家和公司的互动，重塑澳大利亚表演艺术市场

摘要澳大利亚表演艺术市场（APAM）是澳大利亚艺术理事会的主要战略参与，旨在为澳大利亚当代表演艺术发展国内和国际巡回演出机会。在布里斯班发电站交付Market1之前，原住民和托雷斯海峡岛民表演艺术界曾批评说，在交付市场时缺乏土著文化产品的包容性以及原住民和托雷斯海峡岛民的观点和文化协议的知名度低。从2014年到2018年，布里斯班动力室进行了三轮迭代，对承认土著和托雷斯海峡岛民艺术家和公司对澳大利亚表演艺术市场做出的独特贡献做出了深远的承诺。尊重土著和托雷斯海峡岛民艺术家的加入是一个明显的转变。本文探讨了APAM如何成为原住民和托雷斯海峡岛民艺术家的文化复兴之地，并展示了非殖民化实践的激活以重塑市场。